Sunday 23 October 2022

KANTARA (KANNADA) (2022)


Director Rishab Shetty's Kantara (aka mystic forest) is a story of tribals who inhabit the forest in coastal Karnataka - Tulunadu region. Rishabh has also written the story and stars as the lead. The story which is largely set in 1990s strings together strands from an earlier century as well as 1970s, weaving these three timelines in a brilliant blend of mythology, folklore and movie magic.

The narrative yarn is spun around multiple conflicts - some overt and some simmering undercurrents which are on the verge of eruption. Nevertheless, the primary fault line traces the near unending conflict between humans and nature as the humans continue in their vain quest to conquer, own and control nature - land and resources - to satiate their utmost avarice.

Rishabh Shetty mounts the movie on a canvas that is deeply drenched in the earthy hues of its milieu and richly textured with unique cultural ethos of the coastal Karnataka.

His story presents an eclectic mix of emotions ranging from resonant spirituality, rustic love, healthy oodles of irreverent humour, primal rage, greed that is almost genetic as it transcends and consumes generations, juxtaposed with firmly held beliefs of a close knit community and how such beliefs permeate and define their lives.

Within moments into the film, Rishabh magically transports the viewers to the verdant space where his story unfolds with Kola, Kambala, nocturnal hunting and much much more, thanks largely to the songs and background score by B. Ajaneesh Loknath along with the superb cinematography of Arvind S Kashyap who conjure up an immersive experience.

Rishabh Shetty excels in the role of Shiva as he emotes with ease through the character arc which sees him go from a irresponsible ruffian to the transformation with a final tour-de-force. He is complemented well by a supporting cast including an excellent Kishore, ever-dependable Achyuth Kumar, Pramod Shetty, Sapthami Gowda and the rest. Rishabh's control on the medium as a director is evident through the entire runtime of Kantara, especially as it crescendos to a phenomenal final stretch that packs the potency akin to a force of nature.

Rishabh the writer cooks up a heady cocktail - masterfully mixing up the sensational with the subtle and the surreall; this is one happy "made-in-heaven" marriage of mystique philosophy and mass masala moments.

A delectable coastal Karnataka delicacy that is cooked to perfection to delight the discerning viewers.

As the final visual vanishes from the screen, the viewers leave with the lingering legend of Kantara lurking in their minds.

RATING - 4/5

AN UNFORGETTABLE & UNMISSBALE EXPERIENCE !!



PONNIYIN SELVAN - 1 (TAMIL) (2022)


Comparisons to the epic novel by Kalki are futile as movies are by nature a lesser medium than books. Books translate the imagination of the writer into words which is, in turn, translated and plays out in the near infinite canvas of the reader's imagination which is unbound by the limits of physical media and budget that constrain performing arts like cinema, drama, etc.

Comparisons to recent blockbusters like Bahubali, RRR or KGF, while natural, would also not be fair as they were not bearing the burden of responsibility of being the cinematic adaptation of a much loved epic novel that is adored by readers despite several decades.

If that be so, what is PS-1 about..?

Director Mani Ratnam's magnum opus presents the sprawling story as an adventure doused in generous doses of palace intrigue. 

Painstakingly mounted across several exotic locations with elegant production design (Thotta Tharani) and gorgeously visualised frames (Ravi Varman), there is a lot to captivate the viewers here.

Among the ensemble cast which bring to life these much loved characters, the leading ladies - Aishwarya and Trisha - stand out and dazzle the screen in every frame they are in. Karthi,  Vikram, Jayaram, and Jayam Ravi are also excellent in their respective roles.

Rahman's songs and score add to the narrative like a curious accessory that enhances the attire without seeking excessive attention to itself.

So... Is it perfect and superlative....?

No.. 

The narrative could feel too rushed and  even disjointed, especially to those who are uninitiated to the book. A trilogy might have done more justice to the story and more importantly, the many memorable characters. Hopefully, this would inspire someone worthy to make a grand webseries soon to delve deeper into the material🤞🏽.

The CGI bits are not eye-popping and are at best, decent.

The action set pieces are not as exciting or innovatively staged as one would've expected.

There are also some departures (not all of them work) from the source material which the readers may not approve of.

Nevertheless, at the end of the movie, I felt Mani is largely successful in marshalling his star studded cast and first rate technical team to the service of this book as he transports us into this adventure set a thousand years ago which remains engrossing through its entire runtime.

RATING - 3.5/5

A MUST WATCH !!


BAWAAL (HINDI) (2023)

In Bawaal, starring Varun Dhawan and Janhvi Kapoor, Nitesh Tiwari (Dangal) directs a drama about a young couple set in modern Lu...